PhotoCalcs
White Balance Calculator — Kelvin & Mired Conversion
Convert between colour temperatures in Kelvin and mired, and find the right colour correction filter.
How We Calculate This
This calculator converts between Kelvin and mired values and suggests correction filters:
Mired Conversion
Mired = 1,000,000 / Kelvin
Mired Shift
Shift = target mired - source mired
Positive shift = warming (towards orange/tungsten). Negative shift = cooling (towards blue/daylight). The calculator suggests the nearest standard CTO or CTB gel that is at least strong enough for the required shift — pick the next size up rather than under-correct. Published gel values vary slightly by maker (Rosco vs Lee): Full CTO ≈ +159 to +167 mired, ¾ ≈ +124, ½ ≈ +81, ¼ ≈ +42 to +64, ⅛ ≈ +20 to +26. CTB gels mirror these in the cooling direction, though the values are not an exact negative: Full CTB ≈ −137 mired (LEE 201).
Frequently Asked Questions
Mired (micro reciprocal degree) is calculated as 1,000,000 / Kelvin. The advantage of mired over Kelvin is that equal mired shifts produce equal perceived colour changes regardless of the starting temperature. A shift of 50 mired always looks the same, whereas a shift of 500K looks very different at 2000K vs 8000K.
Direct midday sunlight is approximately 5200K. Overcast sky is around 6000-6500K (bluer). Open shade under blue sky can be 7500-10000K. Flash units are typically calibrated to 5500K. Golden hour light drops to around 3500-4000K.
CTO (Colour Temperature Orange) filters warm light by adding positive mired shift. CTB (Colour Temperature Blue) filters cool light by adding negative mired shift. A full CTO gel is about +159 mired (LEE 204, converting 6500K daylight to 3200K tungsten) up to +167 mired (Rosco 3407, converting 5500K to roughly 2900K). Converting flash (5500K) to tungsten (3200K) is a shift of about +131 mired — between a 3/4 and a full CTO. These gels are used on flash units and studio lights to match ambient colour temperature.
If shooting RAW, white balance can be changed in post-processing with no quality loss — it is simply metadata. However, setting it correctly in-camera gives you accurate preview images and histograms. If shooting JPEG, white balance is baked in and should be set accurately before shooting.
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Last updated: February 2026
All calculations are estimates based on standard optical and photographic formulas. Results may vary with specific equipment.